That’s another sport and doesn’t have to do much with what we do. I also think that the traditional clubbing culture doesn’t have anything to do with 'EDM'. Traditional clubbing culture was never gone and is alive and kicking. We’ve reached a certain level of professionalism where the sound systems are good and we can create environments where people can feel good. The electronic music scene worldwide is more alive and diverse than ever. What are your thoughts on the state of the electronic music scene worldwide? Now that the “Commercial EDM” bubble is bursting, do you anticipate a return to the underground? Or do you think that traditional clubbing culture will return to prominence? How did you develop such intricate writing skills?

The way you meticulously built that track is just one of many examples of why you are so much more than a Techno DJ/Producer, you’re truly an artist. I just have to fan boy for a minute and say that your remix of 'Everything' by Neneh Cherry is one of the greatest tracks I have ever heard. The freedom of expression, possibilities, new sounds I found in electronic music, in techno and house. I was also a rapper, promoter, deeply involved with hip hop, but at some point it felt like a dead end, it became a cliché.

From collecting music and being a guy in the hood with the music, I was invited to DJ in a local youth center and basically that’s how it started.

It was something that I could relate to and it became my form of expression. Growing up in a family of Tunisian immigrants, I was exposed to traditional music, but also to Santana, funk and soul. I was born and raised in Düsseldorf, Germany. For those who don’t know who you are, could you tell us a little bit about yourself and how you got started DJ/Producing?

Loco dice club space